In Wednesday’s class we continued refining the routine, simplifying it to one tune and focusing on just two steps:
Clare Battering Step
Mick’s Advance & Retire
We also started bringing in ornamentation ideas such as pauses, drums, triplets, slides, and drags.
Homework
Spend some time practicing with a metronome. I suggest working one step at a time to notice where you might be speeding up or slowing down. Aim to perfect each step on its own before putting them back into the routine.
If you find your timing slipping when you include all the variations, try practicing one A-part and B-part variation at a time until each feels solid. Then begin adding them together.
Once you’re happy with your timing, try bumping the tempo up by about 1-5 BPM. Aiming to be at 85 bpm by Monday.
Drill all steps starting with the end and adding on each step.
Woodshed each section
Metronome
Whole step
Metronmome
Routine
Metronome
Homework – Keep working on this on your own. We will keep it lit by dancing it straight though. You will have to do the fine tuning and memorizing on your own. Or memorize it on the fly.
Next Week – Bring a tune or a track that you like and create steps to it. Work on dancing it without the tune to see if you can hear the tune in the steps. Still no music March but using music to inspire your steps.
week 4
Week 4
Next Week – Bring a tune or a track that you like and create steps to it. Work on dancing it without the tune to see if you can hear the tune in the steps. Still no music March, but using music to inspire your steps. Practice listing and creating steps and then turning it off and keeping the rythm, pulse and melody in your feet and head.
Week 4
23
25
Bring a tune Dance to: 1. The Tune 2. Without the tune 3. With a Metronome
Continue with your tune Dance to: 1. The Tune 2. Without the tune 3. With a Metronome
Enda Scahill – Gan Ainm/Liz Carroll’s (Air Tune) – steps inspired by this track. I went down the rabithole after class and continued to work on the step. I created the orginal part of it just before class and then built on it and am in the process of adding a triplet into the step. It’s a work in porgress.
I’m on the hunt for great banjo players and recording to share with you. I put it out on facebook and got some great recommendations some of whom I had never heard of. Those of you not on facebook here’s the list so far. If you are on facebook check out the post as folks keep adding to it.
I have been going through and listing to some of these. If you find ones you really like please let me know. I put a few of my favorites at the top of the list.
8:30 AM PST | 9:30 PM MST | 10:30 AM CST | 11:30 AM EST | 12:30 PM ADT | 4:30 PM GMT on ZOOM
Hosted by Kathy Fletcher
Room to open 15 minutes early and close 15 minutes after the official end time.
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we will learn the Armagh Lancers. This set will be familiar to some of you who were in class last year. It also shares many similarities with the Clare Lancers Set. If you are taking the PCC class we will be learning the Armagh Set, this week which is also a jig set.
There’s no official shoe for set dancing. The most important thing is a smooth, non-grippy sole that allows you to glide across the floor.
Good options include:
A tap shoe without the tap
Smooth-soled dress shoes
Dance sneakers
Regular sneakers aren’t recommended, as they tend to grip the floor and make turning and traveling harder.
Local option: The Leotard on MLK carries several shoes that work well for set dancing. Let them know you’re taking a dance class and you’ll receive 10% off.
Steps for Set Dancing Playlist: Smooth 3’s practice videos
Clare Battering Playlist: you are welcome to go down the rabbit hole here. This playlist had many videos of Clare Battering steps. The battering is an optional component of set dancing. If you like working on footwork and like the percussive elements of set dancing this is a good playlist to start working on your own. I will teach some battering steps in class, but they do take time outside of class to work on them and get them up to speed. This is a part of set dancing that I ablsoutly love and there are other dancers who prefer the smooth options. It’s completly up to you what you work on.
This week we put together the start of our routine. Sean-nós dance is at it’s core improvisational and free form, but when you are starting out you need a place to start. Having a routine and something to practice as you get comfortable with the dance form.