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Instructions
Instructions
steps
playlist
keep her lit
Keep Her Lit:
Tolka Polka
Sean-nós & Set Dance with Maldon
Specializing in easy to follow step by step instruction for all levels
Irish Set Dancing
Including Battering for Sets and Set dancing.
Instructions
Tolka Polka
JANUARY
FEBURARY
MARCH
APRIL
MAY
JUNE
JULY
AUGUST
SEPTEMBER
OCTOBER
Deep dive into Clare musicians.
| Woodshed | Keep Her Lit | Speed & Craic | |
| Week 1 | 3 Paddy Fahy’s Jig/Sean Ryan’s | 5 Priest in his Boots The Sunday Set | 7 Martin Hayes (fiddle) Spotify |
| Week 2 | 10 The Galway Rambler, The London Lasses | 12 Kitty Lie Over / Kitty Lie Over as a Reel Clare Battering – Mick Banner Step | 14 Kitty Hayes (fiddle) |
| Week 3 | 17 Mick: Dance At Home from the Step for Sets video | 19 Clare Battering – Mick $500 | 21 Peadar O’Loughlin (flute) |
| Week 4 | 24 The Crooked Road / The Foxhunter’s Reel | 26 The Sunday Set (Jigs) Clare Battering – Aidan | 28 Paddy Canny (fiddle) |
On this tab you will find playlists for the music, sets and video lessons for the whole course.
Paddy Fahy’s Jig (also called Fahey’s Favourite, Paddy Fahey’s Jig #1), Sean Ryan’s Jig (also called Gallagher’s, The Lonely, Martin’s)
This weeks elements
Mick’s dance at home step from the steps for sets video. Here are my notes for the Step for Sets video. I was playing around a bunch and found that this track was very nice with the step and slow. It’s a hornpipe, but it sounds great. Mary MacNamara The Humours of Tullycrine / Mikey Callaghan’s (hornpipes)
11-17-2025 Woodshed Zoom Class Video
Steps for Sets with Mick Mulkerrin and Mairéad Casey (link to notes)
In this Zoom class we covered “The Crooked Road / The Foxhunter’s Reel” from Under the Moon by Martin Hayes. Edith noted that this track sits right around 126 bpm.
“Martin returned to County Clare to record Under the Moon, gaining the accompaniment of his father, famed fiddler P.J. Hayes, and guitarist Steve Cooney. He is also joined by his American musical partners, accordion virtuoso John Williams and Portland guitarist/fiddler Randal Bays. This album contains all the spirit and eloquence of his eponymous debut and adds even more passion. No one can get inside a tune–be it barndance, jig, or reel–like Martin Hayes. Under the Moon is an album that stirs the heart and electrifies the mind!” – (Compas records)
No wonder the guitar caught my attention so much during class—it’s Randal Bays! He also plays guitar on Martin’s first album. It was a bit hard to hear the guitar clearly on Zoom, so if you can, go back and listen to the recording. It’s just gorgeous. Also I don’t have liner notes anymore and Steve is also on the Album but just from listening I’m pretty sure it’s Randal on that track.
Katrina asked a great question about tempo: Are we trying to get up to 120 bpm?
For my own dancing, when I’m at a session, reels are usually a bit slower—often 110–115 bpm. At a céilí, the tempo can be closer to 120 bpm, sometimes a touch faster depending on the musicians.
On stage, though—and this is where I personally get into trouble—the tempos can really take off. This often happens when I’m invited to hop in on the last tune of the night. The band is warmed up and flying, and if I’m not warmed up or haven’t been practicing at those higher speeds, I can find myself struggling.
So what I’m really saying is: I like to be prepared for those situations. I want to know what I can comfortably pull off before I’m standing on stage in front of a crowd. If I haven’t been dancing at those tempos for a few months, I can find myself in a bit of a pickle!
Through structured steps, humor and joy, explore these two Irish social dances with community. As you do, you’ll also learn about the culture from which the dances originated. All levels welcome.
Fall Term runs October 3 – December 12 (Notes: No class 10/17, 11/7, 11/21, 11/28. No black-soled shoes)
| Dance | Steps & Moves | Background | |
| Week 1: 10/3 | Kitchen Dance: The Corn Reeks (Na Corn Rigs) | hop 123 hop 1234567 hop back, hop back, hop 123 house around | Article in The Irish Times |
| Set Dance: Connemara Reel Set | lift 123 Lead Around / Back Advance & Retire House Around Swing Follows Chain | ||
| Week 2: 10/10 | Kitchen Dances: Stack of Barley | ||
| Week 3: 10/17 | No PCC class 3rd Friday Céilí @ Waverly | ||
| Week 4: 10/24 | No PCC class Concert @ Waverly | ||
| Week 5: 10/31 | Set Dance: Connemara Reel Set Canadian Barndance Merchant | ||
| Week 6: 11/7 | |||
| Week 7: 11/14 | |||
| Week 8: 11/21 | No PCC Class 3rd Friday Céilí @ Waverly | ||
| Week 9: 11/28 | No PCC Class Butterball @ Kathleen’s | ||
| Week 10: 12/5 | |||
| Week 11: 12/12 |
On this tab you will find playlists for the music, sets and video lessons for the whole course.
Set dancing teacher Padraig Mc Eneany posted a video of the French Lancers. It’s so cool! I’ve always hear about the Irish Set and other squares/sets coming from the orignial French Quadrila but never had the chance to see one. This is well worth watching if you are a set dance nerd. Same but different!
Barbra and Bret sent this to me and I wanted to share it with all of you:
This playlsit has several Connemara dances. The first set is the Connemara Reel Set that we danced in class.
Week by Week layout:
This first six-week term we’ll dive into the joy of Irish set dancing by learning a new set each week while also reviewing the set from the previous week. This layered approach builds confidence, helps steps and figures settle in, and keeps the dancing lively and fun.
At the 3rd Friday Céilí, we’ll bring it all to life by dancing the sets to live traditional music from both local favorites and visiting musicians. Nothing compares to the energy of a full set moving together with the music — it’s the heart of the tradition!
All levels are welcome. Beginners will learn smooth foundational steps and partner movement, while more experienced dancers will explore battering steps and footwork variations. Each dancer can choose their own level of challenge, and together we’ll create a strong, supportive set on the floor.
To support your dancing between classes, you’ll also have access to:
By the end of the term, you’ll have several full sets under your belt, a foundation of smooth steps, and—if you’re ready to push further—a repertoire of battering steps to carry into céilís and beyond.
Fall Term 1 runs September 23 – October 28.
Each week, I will teach smooth steps for different tune types. We’ll focus on how to dance these steps with your partner and within the set.
I’ve included video lessons of the battering steps. You can choose to work ahead or use them to review after class. In-person, I’ll briefly introduce each battering step, but the real progress will come from your own drilling and practice.
Online: Battering for Sets / Sean-nós Steps
This companion Zoom class (with recordings provided) is designed to complement the weekly set dancing course. It focuses on footwork, step practice, and moving with steps.
The material will strengthen your battering and help you feel more confident when dancing in the full set, whether in class or at a céilí.
A great way to build skills at home, on your own or with a partner.
Advance & Retires
On this tab you will find playlists for the music, sets and video lessons for the whole course.
My teacher Padraig Mc Eneany posted a video of the French Lancers. It’s so cool! I’ve always hear about the Irish Set and other squares/sets coming from the orignial French Quadrila but never had the chance to see one. This is well worth watching if you are a set dance nerd. Same but different!
Barbra and Bret sent this to me and I wanted to share it with all of you:
Here is a kitchen dance or 2 hand dance of the Stack of Barley. It has more moves that we danced in the Harvest Dance Set.
This step is most often danced to reels, and in particular you’ll see it in the Clare Reel Set. Today, though, it has spread far beyond its origins—you’ll find dancers using it in many different sets, not just the Clare ones.