Set Dance Instructions

Irish Set Dance | Armagh Lancers

resources

Resources

  • Instructions
    • Armagh Lancers instructionsPrintable Word Document
      This sheet provides simple calls rather than detailed descriptions. It’s designed to be clear and concise, making it ideal for those who are already familiar with the dance and just need a quick reference to remember what move comes next. This format helps keep things straightforward without any unnecessary details.
    • Armagh Lancers Instructions – This version differs from what’s in Pat Murphy’s book. It’s based on a resource from a 1993 workshop, so you may notice some variations. The authors, Danny and Joan Hathaway, included helpful notes that aren’t in Pat Murphy’s version, which provide additional insights. The dance was passed on to them by Mick O’Callaghan and George McCombe in 1979. The main differences I noticed are:
      • The active lead dances the first figure instead of the active follow.
      • The “Big Christmas” lasts for 8 bars each direction, rather than 4 bars.
  • Music
  • Video
  • Books
    • This set appears in Pat Murphy, The Flowing Tide, p 37. Pat got the set from Patrick’s O’Dea. Patrick is the teacher in the demo videos and he is teaching the Christmas (4bars to left/4bars to right). Pat’s instructions in the Flowing Tide are 8bars to left/8bars to right.

video

Videos

Figure 1 Square Jigs 136

Figure 2 Square & Line Jig or Single Reel 136

Figure 3 Big/Little Christmas Jigs 136

This is the same group but a better recording and demo of this figure. Notice that they have taped a square on the floor and are mostly dancing in that size of space.

Figure 4 Follows Star Jigs 136

Figure 5 Chain & Line up Jig or Hornpipe 168

Full playlist with other dance references and videos:

instructions

Armagh Lancers Set

  • Start: none
  • Transition: none
  • Finish: none
  • Step: down jig
  • Swing: waltz hold
  • Sides: first sides on left

Figure 1 Square Jigs 136

Active Follow& Opposite advance & swing (waltz hold)8
Active couplesSquare (pass r only)8
AllSwing corner8
Swing partner at home8
(1ST T/2ND T/1ST S/2ND S)

Figure 2 Square & Line Jig or Single Reel 136

ActiveR in R Advance & turn as retire & swing8
Active couplesSquare (inactive couple split)8
Lines Advance & Retire8
Swing partner at home8
(1ST T/2ND T/1ST S/2ND S)

Figure 3 Big/Little Christmas Jigs 136

AllBig Christmas – left (4) right (4) 8
Active couplesVisitation8
AllR star with corner8
Little Christmas open up  (inactive couple on right)8
Big Christmas R foot (4) & Switch L foot (4) break away
Repeat (actives are in opposite positions now)
(T/T/S/S)

Figure 4 Follows Star Jigs 136

FollowAdvance 2x8
LeadsAdvance 2x8
FollowsR Star (Leads dance on outside going r)8
AllSwing (Follows moving to R)8
(Repeat 4x)

Figure 5 Chain & Line up Jig or Hornpipe 168

AllChain (12) & Line up (waist hold behind active couple) (4)8
Weave Cast off solo in to lines8
Lines Advance8
Swing at home (dance to your partner & swing)8
(1ST T/1ST 2/2ND S/2ND T)

music

Music

If you dance the set straight though here are some nice musical options.

  • 660 bars (extra A – 10 tunes played 2x each except the last one played 3x) – This option is fantastic as the tune change happens each time it’s the sides turn to do the figure.
  • 660 bars (extra A – 5 tunes played 4x each except the last one played 5x). This ends up being on tune per figure and the tune change happens when it’s the 1st tops turn. Musically and dance wise this could help the dancers stay on track and the tune changes with the figure at the same time. Also very cool.
  • If you dance each figure on it’s own they are each 2 tunes 2x each or 1 tune 4x, every figure needs an extra A. The last figure is the exception it’s 5 times though a tune with an extra A or 2 tunes (2x and 3 x) again with the extra A.
  • My spreadsheet is easer to read.

Armagh Lancers Music Playlist on Spotify
At the moment, there isn’t a band that has recorded a specific track for this dance. So, I’ve put together a “scrap set” playlist on Spotify. While the titles of the figures may not match, the tune types and lengths are perfect for the Armagh Lancers and are in order of the dance. Enjoy!

steps

Steps

Down Jig Step or 3’s

The step used in this dance is the “down jig step”, also referred to as the traveling step or 3’s. The leads start on the left foot, and the follows start on the right.

Advance and Retire Step

We also use the advance and retire step in this set, you can use your 3’s from above or use this pattern. The step, step, step, lift, back, back, 1-2-3. Again leads start on left foot and follows start on right foot. When standing next to your partner, facing into the set, your lifting foot will be on the inside of the two of you.

We use the down jig step for the Armagh Lancers and many other jig figures. I have included here the 3’s and the advance retire step we covered in class.

Battering Jig Steps

This is a playlist of lots of different jigs steps with more advanced battering. They can be used in other jigs sets as well.

history

History

If you keep scrolling you will find some footwork videos on this tab as well as a video explaining the similarities between the Clare Lancers and the Armagh Lancers, which both come from the original Second Set of Quadrilles -Lancers.

We’ll start with the Armagh Lancers, from the north. If you’re familiar with the Clare Lancers, you’ll notice some similarities. Sets based on the original Lancers set typically feature lines often in the 2nd and 5th figures, and a “Christmas” movement in the 3rd and/or 4th figures. This set follows that pattern.

I’m excited to introduce this dance to our community—it’s a lovely jig set, and we don’t have many jig sets in our local repertoire.

In Pat Murphy’s book, he shares this about the set: “This lovely old set, similar to the Second (Lancer) Set of Quadrilles, was given to me by Aleta Hancock from Los Angeles, who learned it from Patrick O’Dea during his workshop there in April 1999.”

For those of you going to Ireland this summer and learning from Pat Murphy, I have a homework assignment: Ask Pat about this set! Or, if you meet Patrick O’Dea, ask him if they have any additional information or know where in Armagh it originates.

In the document I adapted Betty’s fabulous term of visitation for the movement in the 3rd Figure of “Big/little Christmas. She called the move Visitation which is so perfect! It’s the move where you Advance to the center, then advance to the side couple on your right and then back up into the opposite position and advance to the side couple on right. Here is that move demonstrated.

Map of Co. Armagh

This next video shows the Clare Lancers and the Armagh Lancers side by side, allowing you to compare the similarities and differences between the two dances.

Camps, Classes, Irish Sean-nós Dance, Irish Set Dancing, Past Classes

2025 | April 13-19 | Spring Dance Intensive

resources

Files & recordings

Links

sets

Set Dancing

Sets

Steps

sean-nós

Classes, Past Classes

Mon April 7th | 6:30 pm | Fiddle Harp Feet Workshop #3

intro

Fiddle, Harp & Feet Workshop #3

April 7th, 6:30-8:30 pm

Maldon’s studio (2400 NE Alberta St. Upstairs! Look for sandwich boards to find back entrance)

$20 (payable at class, but please pre-register): cash, check or Venmo

Maggie Pickie

Maggie Pickie has many steps. Explore the playlist below. There are videos of each step broken down as well as videos of practicing the whole dance.

Maldon’s Youtube Playlist

Maids of Ardagh

Concertina reel

review

  • Waltz – review waltzes from the first workshop
  • Jig – review jigs from the second workshop
    • Priest in his Boots / Hudie Gallagher’s Jig
    • The Blackthorn Stick / Trip to Sligo (Dm version)

Classes, Irish Sean-nós Dance, Irish Set Dancing, Past Classes

Woodshed Clare Battering

Aidan

Aidan videos

Aiden Vaughan 0-80

Aiden Vaughan 80-100


Mick

Mick’s Dance at home step (AKA $500 step)


all

Classes, Past Classes

Fiddle, Harp & Feet Workshop #2

intro

Fiddle, Harp & Feet Workshop #2

February 24, 6:30-8:30 pm

Maldon’s studio (2400 NE Alberta St. Upstairs! Look for sandwich boards to find back entrance)

$20 (payable at class, but please pre-register): cash, check or Venmo

Hudie

blackthorn

priest

Frist two steps broken down and strenth warm up

Below is a video of Michael and Céline Tubridy dancing the Priest in His Boots. Maldon learned this dance from Ben Power, who learned if from James Keane of Co. Clare. James’ version is slighly differnt. James version is “crooked” meaning that when he danced the musician played the tune AA/BB/AA/B/AA/BB and James dance the steps that way. Michael and Céline Tubridy dance it straight AA/BB format. Michael learned the dance from Dan Furry and Michael took the liberity of straightening out the steps/tune. James and Dan danced together.

James Keane’s or Dan Furry version – Ben Power’s students dancing The Priest in His Boots and Ben play the tune on flute with his flute students. Notice the B the second time through the tune is only played once, this is because the step they are dancing is only a 4 bar step repeat on each side to make 8 bars. In Michael and Céline Tubridy version they combine the two steps so that it is semtrical and you have a 16 bar step that is repeated on both sides.

Link to PDF book – Priest in His Boots is on page 3 after the forward. This book is avaialbe free to view on the internet. It is a great resouce for dancers and musicians. Michael has included the sheet music for the tunes as well as the dances written out in his dance notation.

Nearding out – if you want to neard out on this dance here is my full playlist.

trip

Classes

April 13 – 19 | Spring Dance Intensive

intro

Spring Dance Intensive – A Week of Irish Dance & Community

Immerse yourself in the rhythm and tradition of Irish dance at our Spring Dance Intensive! This week-long camp is designed for intermediate to advanced dancers eager to deepen their skills in Sean-nós dancing, set dancing, and percussive dance.

📅 Dates: April 13 – April 19
📍 Location: Alberta Arts District, Portland, Oregon

🔹 Daily Schedule:

2400 NE Alberta Street, Portland, OR

  • 4 immersive workshops per day focusing on Sean-nós, set dancing, and percussive dance techniques
  • 5 Evening social dances to practice, connect, and celebrate Irish dance together
  • Late night music: at the local pub

🔹 Limited Space: Only 10 spots available to ensure individualized instruction and a close-knit experience!

For Out-of-Town Dancers

Need a place to stay? A cozy Airbnb hotel next door is hosting some of our students, and I’d be happy to connect you for shared accommodations.

Explore the Alberta Arts District

No car needed! Our neighborhood is filled with restaurants, shops, and galleries to enjoy between workshops.

🎶 Bonus Perk: Just four blocks away, a lively Irish pub TC O’Leary’s (2926 NE Alberta St) will be hosting music and activities throughout the week—perfect for winding down after a full day of dancing!

📩 Reserve Your Spot Today! Space is limited, so sign up soon for this unforgettable week of dance, music, and community.

schedule

Schedule

Sun 4/13Mon 4/14Tue 4/15Wed 4/16Thur 4/17Fri 4/18Sat 4/19









Pipers Session
Pub
2-5pm
TC O’Leary’s (2926 NE Alberta St)
Breakfast | On your own or together a local resturants

Sean-nós Workshop  – 9:00 am – 10::15 am
2400 NE Alberta Street, Portland, OR
Steps & Sets Workshop  – 10:30 am – 11:45 am
2400 NE Alberta Street, Portland, OR
Lunch Break | On your own or together a local resturants
Sean-nós Workshop  – 2:00 pm – 3:15 pm
2400 NE Alberta Street, Portland, OR
Tea & treats  3:15-3:45
2400 NE Alberta Street, Portland, OR
Steps & Sets Workshop 3:45 pm -5 pm
2400 NE Alberta Street, Portland, OR
Dinner Break | Potluck or on your own
Welcome Session
6:00 pm

2400 NE Alberta Street
Clare
Bob Soper
6:00 pm
2400 NE Alberta Street
Connemara Mikey Beglan
6:00 pm

2400 NE Alberta Street
Modern
Geraldine Murray
6:00 pm

2400 NE Alberta Street
Sliabh Luchra
Betsy Branch
6:00 pm

2400 NE Alberta Street
Ceili Mor
7:00 pm
Elliot & Glen

Alberta Historic House
5131 NE 23rd Ave
Showcase
5pm
Feet, Fiddlers & Harp
Tunes/dances

Waverly, 3300 SE Woodward St
Kate & the Lads

8:00 pm
TC O’Leary’s 2926 NE Alberta St
Women’s Session

8:00 pm
TC O’Leary’s 2926 NE Alberta St
Mikey Beglan

8:00 pm
TC O’Leary’s 2926 NE Alberta St

  • Sunday April 13
    • 2pm-5pm Pipers Session at TC O’Leary’s Pub, O’Leary’s 2926 NE Alberta St
    • 6pm – Welcome session at Maldon’s house, 2400 NE Alberta St
  • Monday – Friday 9am – 5pm
    • 9am – 5pm, 4 workshops a day, Maldon’s house, 2400 NE Alberta St
  • Monday April 14 – 6pm
    • Evening dancing with Bob Soper (fiddle), Called Clare Sets and more
    • Maldon’s house, Maldon’s house, 2400 NE Alberta St
  • Tuesday April 15 – 6pm
    • Evening dancing with Mikey Beglan (accordion), Called Galway/Connemara sets and more,
    • Maldon’s house, 2400 NE Alberta St
  • Wednesday April 16 – 6pm
    • Evening dancing with Geraldine Murray (banjo/whistle), Called Modern Sets and more
    • Maldon’s house, 2400 NE Alberta St
  • Thursday April 17 – 6pm
    • Evening dancing with Betsy Branch (fiddle), Called Cork/Kerry Sets and more
    • Maldon’s house, 2400 NE Alberta St
  • Friday April 18 – 6:30pm
    • 3rd Friday Ceili with Elliot Grasso (pipes) & Glen Waddell (guitar)
    • Historic Alberta House, 5131 NE 23rd Ave, Portland, OR (4 block walk)
  • Saturday April 19 – 5pm
    • Feet, Fiddle and Harp Showcase
    • Student and teacher performance
    • Waverly, 3300 SE Woodward St, Portland, OR (we will need to drive/carpool)

register

Register for the Spring Dance Intensive

Only $250 for the whole week. This includes:

  • 20 workshops
  • 6 evening music/dance sessions
  • Ceili
  • Student showcase

What a deal! Limited to only 10 spots.

Blog

Goal Setting with baby steps

I have been working on and studying mindset coaching and goal setting. It’s one of the things that has helped me most through my cancer journey. I have been working with my students and sharing some of the things that have been so helpful. One of them is Jon Accuff’s best moments list or as he now called it his awesome moments list. 

It’s a list that you make of the best moments in your life. Looking at the past to help guide the future. A list that I continue to add to and it makes me smile daily. I started working with this and then added the past goals that I reached. Oftentimes I reached them without knowing I was reaching them. Looking back at my accomplishments. 

One of the things that came to mind was the last time I was in the “best shape of my life”. I didn’t start out with that goal in mind. I started walking to the bus stop that was 15 blocks away. Then I rode that bus to work and got off at the stop that was 2 blocks away. These two blocks were straight up and very steep. 

Since I was in high school I have ridden the bus to school. In high school I grew tired of waiting for the bus. I was never very good at getting the time table so I would just go out when it was time to go to school and maybe I’d catch it and maybe I’d miss it and wait for the next one. I saw my teacher walking across the Hawthorne bridge on my way to school. I started to think if he can walk to school, so can I. He had mentioned that he saw me waiting for the bus one day. I realized that he was walking at least 10-15 blocks further than where I got on the bus so I started walking. This started my love of walking as transportation. 

Back to not wanting to wait for the bus and starting to walk further. I am also cheap and didn’t want to pay for the short bus ride to transfer to the max at Lloyd Center, which was in the free zone. I realized that if I walked to Lloyd center and got on there and then got off at the edge of the free zone downtown I could ride for free and walk part of the way. Then one day I decided to walk the whole way. I built this up over months. Walking to the max gave me the courage and curiosity to walk further and eventually I walked the whole way to work from home. 

I was so proud of my walking the whole way I of course told all my co-workers. One co-worker said that must take a long time. I said 2 hours. She offered me her extra bike and said you could bike and it would be faster. 

This scared me a little. I had biked in the country at my mom’s, but never in the city and so I started out small. I biked to the Lloyd center and got on for the fee zone and then biked up that massive hill or rather walked my bike up it. It’s a crazy hill. In fact, here’s a video that made national news when someone tried to drive it down in the snow. 

Eventually I decided I could bike the whole way and from there grew a habit of biking everywhere. Folks would offer me lifts home and I would say no I want to ride my bike and decompress. I looked forward to it everyday. This is evidence that I can do this. 

When I started walking again after being undiagnosed with Secondary Adrenal Insufficiency I started with a timer on my phone for 2 and half minutes and my walker. I waked until the timer went off and then I turned around. I did this for a month until I bumped it to 5 minutes and then to 10 minutes the following month. 

I’m back to dancing now and some walking, but I’m going to start my timer again. I’ll start with 15 minutes and then turn around. Who knows, maybe I’ll start biking again. The other thing I have learned is to have a low, medium and high goal. My low goal is once around the block. The medium is a timer for 10 minutes and then turn around and the high is a timer for 15 minutes and then turn around. 

After examining my progress I realize that I have done this with most of my walking. During the pandemic I started walking to the high school track and walking once around and then back home. Then I started walking twice around. After that I started running on the corners of the track and walking on the straight away. Then I ran straight away and walked on the corners. When I was doing this I visualized and remembered Mahomaod Ali saying he hated training but loved running. I was training 3 times a week with my personal trainer on zoom and dancing several times a day. I would like to get back to some of the things while listening to my body and taking care of my SAI. Not being scared of it but also not ignoring or pushing it too much. I’ve tried that and it doesn’t work and usually lands me in bed for days or a week. Baby steps everyone. 

Something that seems not good enough can be the motivation that keeps you going for the next 1% level up. Even as I write this I think my goal might be too big. 

So my new goal is going to build slowly on purpose. 

Let me reframe it:

  • Low – walk around the block once a day
  • Medium – walk twice around the block once a day
  • High – walk three times around the block once a day

I can do this for one month before I level up.

What is your small goal that will help you reach your bigger dream?