Tea Time Talks

31 | Tea Time Talk | Tina Baker


Put the kettle on for a nice cup of tea (who would want a horrible one) and talk. No need to me part of the online subscription to join the talk.

Wednesday we talk with Tina from Empower Sacred Balance

  • How to create your space for success?
  • How to create a home studio space?
  • Using oils for balance?
Tea Time Talks

26 Tea Time Talk | Céilí of the Valley Society

Céilí of the Valley Society 2/24 – 7pm

I have had the opportunity to visit and work with a variety of dance and music communities around the country. I am always fascinated about how each community organizes and shares their community. The Céilí of the Valley in Salem, Oregon has the most amazing group of volunteers and supporters. When you attend one of their events you feel like your are the most welcomed person. There are so many folk helping and organizing and excited to see everyone at their event. I’m always on search of how these communities create such a support group and how to pass on these traditions. I have invited some of the organizers in Salem to share their story. 

Tea Time Talks

25 | Tea Time Talk | St. Practice Day

St. Practice Day

Feb. 17th 9am [PST]

St. Practice day, Feb. 17th, sometime referred to as the day you “practice” for the big day. We will discuss practicing. I am always curious about artists practice routines, how one practices, when, tips, tools and tricks that we each use. This is a recording of the discussion we had on St. Practice Day 2021.

  • How do you practice a dance piece?
  • How to you learn a step?
  • What do you do to increase endurance and flexibility?
  • What is your improvisation routine?
  • How do you create steps?
  • What are your tricks for warming up and cooling down?
  • How do you keep material sharp between performances?
  • What tools do you use to help you practice, create and prefect?
  • Don’t have a routine and curious about developing one?

Below are some notes from the talk. I have included a few things that I forgot to mention in the recorded talk. 

Tools

  • FEET: Your feet go everywhere with you! You can practice anytime you are waiting for something, the bus, the elevator, the clerk at the grocery, the kettle to boil, the DMV, even your COVID vaccine.
  • AMAZING SLOWERDOWN: – I love this as a tool to practice a step or a dance. I like to set the speed at which I can dance something without mistakes and then work my way up little by little until I’m at a speed that I like for the step or dance. A speed that a musician might play it in a session. There are other tools out there as well that slow music down. I’ve only tried this one myself. I’d love to hear what other tools folks are using. Are there other apps that you would recommend for slowing down music?
  • METRONOME – There are metronome apps that you can download on to your phone. I prefer a physical metronome myself and I can hear it better and I’m used to using it. It’s not my favorite thing to dance, so I find it I leave it out with my regular dance things. I’m more likely to use it. If it’s tucked away in a drawer or box I’ll have to remember to bring it out. I highly recommend using a metronome! It’s a very revealing and helpful tool.
  • FLOOR – I have several portable floors. One lives in the trunk of my car. It never comes into the house, that way no matter where I travel I have it on hand. I also have one in my living room. I tuck it under the couch when I’m not using it as I live in a studio apartment and space is a concern for me. However when I leave it out I am much more likely to walk by it and dance a step or two throughout the day. My dad, a chef, keeps his dance board in the kitchen and taps out a few steps when he’s cooking or waiting for the kettle to boil. It’s a good idea to keep it out, just like you would an instrument. Dale Russ had a great tip for practicing, he said leave your ‘instrument’ in your chair that way you have to pick it up to sit down. You’re more likely to play a tune if you have to move it enough times. A dance floor place in a spot that you pass by multiple times a day will call your name eventually. 
  • ROLLING
    • FOAM ROLLER – I roll out my legs before I practice or dance. Those of you in the membership there is a whole page of stretches and rolling exercises, they can be found here. Those of you not part of the membership here are a few great youtube videos that I recommend. Youtube video: Rolling legs with a foam roller.
    • FOOT ROLLER – lacrosse ball, special foot rollers, a frozen water bottle. Youtube video: Foot and calf rolling.
    • BALLS – I have a whole basket of balls to roll out different muscles. I use the wall or floor for pressure. Some of the balls are dog toys or kid toys. My favorite one is a kid toy that my boyfriend found. It’s about the size of a softball, but not as hard. It seems to work for most of my muscles except my feet. I keep the “basket of balls” under my coffee table and bust them out when I am watching tv. 
  • PLAYLISTS – create a playlist of music so that you can go on autopilot when you practice. It helps me to have these created in advance so that I can get right to the business of practicing. I have most of my playlists on my computer, but I am slowly building ones on Spotify that you are welcome to use for your practicing. My page is here.
    • Have a music playlist of you repertoire.
    • A Playlist of an entire show you are performing. 
    • Music you love to dance to and that inspires you. 
    • Instrument playlist (i.e. fiddle, accordion, pipes, voice….)
    • Tune playlists: jigs, reels, polkas, hornpipes…
    • A player playlist (Martin Hayes, Johnny Connolly….).
    • A playlist of local players that you might encounter at a session or a gig. Get to know their music and how to dance to them. 
    • YOUTUBE: I created youtube playlists of music and dancers. Youtube has the ability to slow down or speed up a video in 25% increments. The sound quality isn’t always the best when it’s slowed down, but it is a useful tool. I use it more for music to practice to then dances to learn. I find it hard to learn a dance by slowing the video down, it’s a skill that I haven’t perfected. It’s easier for me to learning it up to speed and stop it along the way, that way I can hear and see how it should go in real time. I’m always impressed by dancers who can learn by slowing the video down! I have many of those listed as playlist and you are welcome to save any of them to your own account. You can find them here on my youtube channel. This is currently one of my favorite activities outside of dancing and I am adding videos on the daily.

Tricks

  • Make it a easy a possible
    • Make a small goal of practicing one step or to one track of music a day. You may do more but keep the pressure light when starting you. It’s easy to do 1 minute of dancing or one step. If you dance 1 step per day, that’s 30 practice sessions in a month or 30 minutes on the one step. 
  • Dance shoes out and in the way so you put them on. Have your dance board and shoes where you can see them everyday. 

Tea Time Talks

24 | Tea Time Talk | Ronan Regan

Rónán Regan Feb. 10th

2/10 – Ronan Regan

Rónán Regan is a Traditional Irish musicians and dancer. He wrote his thesis on the Leitrim style of music, specialising in the musical styles of Ben Lennon (Recipient of Civic Reception Award from Leitrim County Council in 2007 and TG4 Music Award, 2011) and Jim Connolly and completed his Masters in traditional music performance, with modules in sean-nós dance in University of Limerick, 2005.  

Rónán released the instructional DVDs ‘Dance Sean-Nós’ with Maldon Meehan in 2005 featuring the renowned box player Johnny O’Halloran from Inish Bofin and ‘Dance Sean-Nós for beginners in 2009 featuring guest dancers and the virtuoso box player P.J. Hernon from Connemara.

Tea Time Talks

23 | Tea Time Talk Sean Williams

Sean’s musical interests focus strongly on Irish-language songs and fiddle tunes, but also musics from Indonesia, Brazil, and Japan. Her books include Bright Star of the West: Joe Heaney, Irish Song-Man, which she co-wrote with Lillis Ó Laoire, and the textbook Focus: Irish Traditional Music. Sean was very fortunate to have studied with the sean-nós or old-style Connemara singer Joe Heaney in the last several years of his life, and counts him as one of her most important musical influences. She has also learned sean-nós songs from Gearóidín Breathnach, Máirín Uí Chéide, Lillis Ó Laoire, Celia Ní Fhátharta, Bridget Fitzgerald, and many others. 

Tea Time Talks

22 | Tea Time Talk Preston Wilde

Preston has been playing traditional Irish dance music on the uilleann pipes (pronounced ‘ill-yun’) for over 20 years.  The uilleann pipes are Ireland’s national bagpipe and differ from their more famous Scottish cousin in that they are a bit quieter, lower-pitched, and have a much broader musical range.  Where the Scottish bagpipe is intended for marching into battle the Irish bagpipe is intended for enjoying communal dancing and maybe a pint or two.  Due to their larger musical range and more nuanced tonality, the uilleann pipes enjoy a resplendent repertoire as well as a plethora of playing styles in contrast to the militarized homogeneity of the Scottish piping tradition.  Preston’s focus has been on the older pre-famine Irish piping canon (1760’s-1850’s) as well as fiddle music from Cork, Kerry, Clare, Belfast, Sligo, and Fermanagh.

Tea Time Talks

21 | Tea Time Talk |Nic Gareiss

Nic mentioned a few artist and events in the talk. Here are those links:

Laurel Premo’s Music for Dance album:https://laurelpremo.bandcamp.com/album/music-for-dance

Bellingham Folk Festival:http://www.thebellinghamfolkfestival.com/

Celtic Connections Fringe Percussive Dance Mini-Festival:https://www.artsandaccounts.com/mini-percussive-dance-fest-2021?fbclid=IwAR3pth7wDAXcCeIVm5YX6Jvrfz8wRpEMD_hvmOmNZ3TEcMKMmcuqiWrkOX4

Step Collective Events at the Flurry Festivalhttps://www.facebook.com/events/447026053136855

Percussive Dance Lab:https://en.ldp-pdl.com/

Leitrim Dance Project:https://www.leitrimdanceproject.com/