Advanced, Blog, Intermediate

2/15 MMD Weekly [Newsletter]

We start a new term of dancing tomorrow! All are welcome to join at any time. All zooms are recorded for your reference and posted on each individual class page. There will also be recordings of individual steps broken down and danced to slow, medium and fast music for practicing. 

Winter 2 Term runs Feb. 16-March 26th.

We will have an end of term celebration on Saturday March 27th. The end of term celebration is open to the public and you are welcome to invite anybody you think might be interested in attending. You can register here for the zoom link and password. The event is free and open to anybody. 

Times for all zooms are PST!

Tuesday, February 16

  • 12 – 1pm Class | Improvisations: We will be exploring the music of Johnny Connolly and dancing to reels. This class will focus on Connemara “zig zag step” and build improvisational exercises around the movements. All levels are welcome to join. If you’d like to review the step before class a link to the breakdown can be found on the class page. 
  • 2 – 2:30pm Keep Her Lit | Acapella Jig: We will be running the whole routine starting at 100bpm and ending at 120bpm. 
  • 3 – 4pm Woodshed | Old-Style: this woodshed will be covering Winter 1 terms old-style steps. 
  • 5 – 6pm Class | Battering: the first class we will cover the smooth Clare style steps for traveling, advancing and retiring, housing and dancing at home. We will also learn a dance at home battering step and incorporate it into the plain set.  
  • 6 – 7pm Class | Beginners: Feet & Voice. The first class we will work with the song Cúnla. This is a song that I often dance with Andrea Wild when we perform. It is in jig time. 

Wednesday, February 17

  • 9 – 10am Tea Time Talk | St. Practice Day: Tea Time this week will focus on the subject of practicing. Do you have any practicing techniques, routines or advice? Are you wanting to create your own practicing routines? Come and join the discussion. Zoom link
  • 12 – 1pm Class | Advanced: In the first class we learn 4 slide steps and work with several tunes. Join us as well explore the wonderful world of slides! 
  • 2 – 2:30pm Keep Her Lit | Acapella Reel We will be running the whole routine starting at 80bpm and ending at 120bpm. 
  • 3 – 4pm Woodshed | Beginners We will be practicing material from Tuesday night’s class. 

Thursday, February 18

Friday, February 19

Musician of the Week: Johnny Connolly!

Johnny Connolly at the Raidió na Gaeltachta 40th anniversary concert,

Johnny Connolly. We will be exploring the music and the life of Johnny Connolly. A great musician and an amazing person. I was lucky enough to meet him on several occasions and to dance to his music. I have created a page for your reference as well as a youtube and spotify playlist. Feel free to save the playlists to your account. I will be adding more to the playlist over time. If you get a chance please watch the documentary on Johnny. 

I highly encourage you to watch the documentary on Johnny that is on youtube. I have it in my Johnny Connolly youtube playlist. It is broken up into 4 parts: Part 1, Part 2, Part 3 & Part 4. Included in the documentary is footage of dancers Máire Áine Ní Iarnáin, Seosamh Ó Neachtain, Paraig Ó Haibicín and Máirtín Beag Ó Gríofa (who was Johnny’s second Cousin). 

Documentary of the Week: Clog Dance!

Clog Dance (1959) | BFI National Archive: I recently watched this documentary on Clog Dancing and shoe making from Portmadoc, North Wales. Incredible footage and presentation of dancing. 

Playlist of the Week: Waltzes!

I have been busy working on music and dance resource pages. Those of you interested in waltzes and waltz clog dancing from all traditions will find these pages helpful. There are dances from Tap, English, Canadian and more. There are over 100 dance videos in the playlist. I have also included a playlist of many of the waltz clog videos from my site all in one place. Happy exploring folks. Waltz Dance Page and the Waltz Music Page.

Advanced, Blog, Intermediate

Announcing Winter 2 Term | Feb. 16-March 26

No Class Monday Feb. 15th, enjoy the holiday!
Subscribe to the class google calendar. All classes and events are listed there. The calendar can be found here.

Mon. 12pm | 2021 Winter 2 | Class | Absolute Beginners | Reels & Jigs
Tues. 12pm | 2021 Winter 2 | Class | Improvisations | Reels
Tues. 5pm | 2021 Winter 2 | Class | Set Dance | Battering | Clare Reels
Tues. 6pm | 2021 Winter 2 | Class | Beginners | Voice
Wed. 12pm | 2021 Winter 2 | Class | Advanced | Slides
Thurs. 12pm | 2021 Winter 2 | Class | Old-Style | Hornpipes
Thurs. 5pm | 2021 Winter 2 | Class | Sets & Calling | All Tune types
Thurs. 6pm | 2021 Winter 2 | Class | Intermediate | Voice
Fri. 12pm | 2021 Winter 2 | Class | Waltz Clog | Waltz

All Classes, woodshed and keep her lit session are included for one monthly price of $55 per month. Much like a gym membership you can take any class you like live on zoom or via the video replay posted on the class site.

All classes since April 2020 have been recorded and posted in the site. Also included in the site is video recording since 2013 to the present of all material taught at the stoptown collective studio. Something for everyone. The Netflix of Dance! 

Absolute Beginners

This course covers the fundamentals of Sean-nós dance and introduces students to Irish music. With a true beginner approach, learn to step in time with the music and discover the joy of Irish Sean-nós dance. This course is designed for students with no prior dance experience. This course will be 4 weeks. 

Mondays [1 hour] 2/22 – 3/15
12pm PST | 1pm MST | 2pm CST | 3pm EST on ZOOM

Beginner & Intermediate

Through song and lilting we will explore dancing to the human voice. Both the beginners class and the intermediate class will be covering the same material. Please feel free to join both classes if you’d like extra accountability.

Tuesdays & Thursdays [1 hour]
6pm PST | 7pm MST | 8pm CST | 9pm EST on ZOOM

Wednesdays & Fridays [30 min]
3pm PST | 4pm MST | 5pm CST | 6pm EST on ZOOM

Advanced

This term we will explore slides. Slides are 12/8 and are a time signature that I first started out dancing as a set dancer. Since then I continue to dance slides in performance. They are not commonly danced solo. Set dancers will also find this class useful. 

Wednesdays [1 hour]
12pm PST | 1pm MST | 2pm CST | 3pm EST on ZOOM

Mondays [30 min]
3pm PST | 4pm MST | 5pm CST | 6pm EST on ZOOM

Improvisations

Each week we will explore improvisational exercise with various reel steps and tunes. We will be working with mapped out steps and how to “play” with the steps. We will explore timing, phrasing, shifting weight, shifting the beat, space, tunes, instrument and musicians. 

Tuesdays [1 hour]
12pm PST | 1pm MST | 2pm CST | 3pm EST on ZOOM

Battering for Set

Clare battering for sets. Covered in this class are dance at home steps, traveling step and advance & retire steps. We will work with Clare sets and incorporate battering steps while learning or refreshing on popular Clare set dances. Keep your set repertoire alive during the pandemic. 

Tuesdays [1 hour]
5pm PST | 6pm MST | 7pm CST | 8pm EST on ZOOM

Sets & Calling for Sets

Whether you are a caller or a dancer this class is for you. You can try your hand at call sets as well as dancing them. Keep your chops up during the pandemic and dance sets with us.

Tuesdays [1 hour]
5pm PST | 6pm MST | 7pm CST | 8pm EST on ZOOM

Keep Her Lit
The Keep Her Lit sessions will be dedicated to drilling material from the website. These sessions are great if you are working off the recorded material or want to drill material from a past course. For the best success with these zooms please review the material covered before attending the session. There will be no teaching just dancing in these sessions. 

You can find all of the steps covered in the routine by clicking on the link. 

The First week of zooms will cover the Acapella jig and reel routines with music as well as without. Friday will combine both routine into a performance piece. Get ready for St. Patrick’s day! 

Tuesday 2/16
Acapella Jig Routine | 100bpm & 120bpm
2pm PST | 3pm MST | 4pm CST | 5pm EST on ZOOM

Wednesday 2/17
Acapella Reel Routine | 80bpm, 100bpm & 120bpm
2pm PST | 3pm MST | 4pm CST | 5pm EST on ZOOM

Friday 2/19
Acapella Jig Routine into Acapella Reel Routine
2pm PST | 3pm MST | 4pm CST | 5pm EST on ZOOM

Week 1 | Spring Term 2020
Acapella Jig & Reel

Week 2 | Summer 1 Term 2020
Connemara, Paraig Ó Haibicín, The Sunday Set, Maggie Pickie

Week 3 | Summer 2 Term 2020
Nellies Polka, St. Patrick’s Day, Up Leitrim/A Tune for Bernie, The Rookery

Week 4 | Fall 1 Term 2020
Clare Inspired, Ti Albion, Blackbird, Triplets

Week 5 | Fall 2 Term 2020
Return of Spring, Little Diamond Polka, Double Time Polkas, Full polka routine

Week 6 | Winter 1 Term 2020
Connemara Jigs, Sunday set as a jig, Connemara jig into reel, Sunday set jig into reel

Blog, Irish Set Dancing

The Bread and Butter of Battering

By Phil Meehan

In the early ‘90’s the All Ireland Cultural Society sponsored a troupe of Set Dancers from Cork and Kinsale to do a workshop in Portland. They introduced the West Kerry and The Borlin Sets and demonstrated some very complex footwork. The battering was roundly rejected by all but a few, but what impressed me was the styling of the male dancers. The young men from Cork did everything but the splits in their dancing and the older gentlemen impressed with glacially smooth moves. This, I decided, is what I want to be when I grow up! Of course, the lovely women of Ireland that accompanied them that were Kerry Gold on soda bread, and may have had something to do with it. I was ready to sit down to tea.

30 years later I am still at the table. I was lucky to be able to go to the Willie Clancy Summer School a number of times and observe the men of County Clare battering on their home turf. Willie Keane, Aiden Vaughan, Paddy Neylon, and others were masters of their craft. Observation, imitation and wood shedding gave me a small amount of their skill. But it was one of the local girls who had danced with Willie that brought my joy to a new level. She encouraged me to batter in a set with her and though I apologized profusely for breaking into a river of sweat, I knew I found my place.

That first year in Ireland I wore a pair of sneakers, runners, they were referred to, and merely tried to get the style down. Paddy and Philomena Quelley, chain-smoking task masters of the Caledonian Set barked us through figure after figure all week long. People were breaking down in tears, told they were so fat they ought to sit out a figure or two. They were the “trainers” of the local 7-8 year old set dancers, and I guess we were just a bit too independent.  But I learned the dance. I came back to Milltown Malbay twice more, with a bit more of the batter each time, pounding in my own sweat in class after class.  

Battering in the set was and still is rare, but I recall dancing sets where my jaw would drop at the expertise of men like Pádraig McEneany, Mick Mulkerrin or Patrick O’Dea. Or others, not flashy but precise and full of joy like Connie Ryan. It was Connie when asked about battering said, “Just drop your heel now and then.”

Now because of the popularity of Sean-nós dancing, I am more likely to find a woman who batters. Dancing with my daughter, Maldon Meehan is one of the greatest joys of my life. She gets it! She gets not only the dancing but the music as well. With her it is effortless and so much fun! Irish comfort food, a trip to the chipper, to return to a culinary metaphor!

In American contra and ceili dancing there is a “tradition” of clapping when the dancers are not active. It is sort of fun, but often becomes complex and I think distracts from the music. Battering can do that as well if a group decides to bring hard shoes onto the floor. A good rule is to keep the sound so that it never overpowers the music. Battering should be used to communicate with you partner, with the others in your set, and occasional accent to the music. In Clare, at a large ceili, you will hear what seems like everyone battering, but will hardly find any one dancer standing out. That is the beauty of it. The secret is to treat it like a cup of Barry’s Tea, put in a little splash of Irish full milk to smooth it out.  Bigi a rince!

Paddy’s Nelyon and Willie Keane!